Name of Exhibition
of all things I do
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Academic Level at Time of Creation
Date of Creation
The inspiration for my work is derived, in part, from my appreciation of repetitive processes. Kinesthetic activities such as working in a kitchen and building have always come naturally to me. Producing objects made from clay is an exercise that I find satisfying in a way that is similar to these other tasks. There are many steps to a finished piece of my work that few people will ever see; throwing the clay, pulling handles, trimming a foot, and the development of the two dimensional design. In manipulating the surface of the ware I achieve one more gratifying step. Since childhood I have been attracted to, daydreamed of, and drawn a variety of obsessive linear patterns. The action of carving a complex pattern onto the surface of a leather hard piece of pottery provides a level of stability and calm for my otherwise erratic mind.
How my work feels in the hands of the person holding it is an important component that I consider during production. The sense of touch is a fundamental part of our daily experience. It is crucial in creating our unique human existence, and it will differ from one of us to the next. This is the thought process I consider in order to achieve a functional pot. The form of the object and the composition on the surface can be derived from all areas of life; those we are close to, the nostalgia of childhood, experiences we have had with our environment; each of these connections can be interpreted in some way visually. The elemental form of the vessel along with the surface design is intended to represent a contrast between two worlds: the bulk and delicacy, refinement and physicality, and control amidst chaos are all things I struggle to balance within my own personality.
The concept of my work is to be functional as well as visually stimulating. In a way similar to artists such as Matt Metz and Kathy King, I wish for the participant to be compelled to examine the piece in order to understand the story behind its conception, to pick up and hold it in their hands, and for the item to find a meaningful place in the user’s daily life.
John Utgaard, Sarah Martin, Peggy Schrock, T. Michael Martin
High fire stoneware ceramic, oxidation firing. Cone 10 B mix clay body, jet black Amoco Velvet underglaze, sgraffito.
Davidson, Angela, "of all things I do" (2016). B.F.A. Practicum Exhibition (ART 498). 3.