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Date of Creation
“You’re overreacting” is a phrase that I have been told too many times that it has now become an immediate response to emotional situations. Because of this, most emotions are dismissed. The drawings and prints that I make are developed from a highly personal narrative discussing specific events, interactions and/or thoughts that arouse tension. They are an opportunity to admit damaging internal, uncomfortable conversations and interactions, while depicting tension and mental confinement. During the production process of a drawing or print there is a conversation of acknowledgement happening between these objects and myself, creating an uncomfortable, yet honest conversation.
Innocent, metaphorical objects help illustrate these internal disruptions. A wooden chair, vintage tv and a hare, along with a variety of secondary objects, are depicted in minimalistic settings dominated by negative space forcing the viewer’s attention on these objects, reinforcing mental confinement while adding a somber and tense disposition. Through the use of selective color, I am able to shed light on those tense moments even more. The combination of objects create a small moment within a larger narrative. The chair represents stability, comfortable or not and the vintage tv represents static, mental noise and implied disconnection. The hare is at the bottom of the food chain, and they are hyper-aware along with being naturally vulnerable and their solitary nature. Silkscreen is my printing medium of choice due to its encouragement of transparency and layers, allowing my images to be soft and subtle.
Artistic influences derive from mixed-media artist Toba Khedoori, with solitary spaces she creates through minimal imagery and compositions. I also look to lithographer Kathryn Polk for her use of interactions between figures and objects, as well as her muted color pallet. Other influences are words. Words are powerful; from poems such as milk and honey by Rupi Kaur, to music, or simply everyday conversations and the lack thereof. Words shape our day to day lives.
Overreaction or not, your body is trying to tell you something. Something is causing distress and tension, and the last thing we want to hear is that we are overreacting. My work brings light to interactions and concepts that cause emotional strain and the desire to understand why.
Nicole Hand; Sarah Ellis; Todd Herzberg; Jeanne Beaver; Mike Martin
A drawing and printmaking exhibition discussing specific events, interactions, and or thoughts that arouse tension, and admitting damaging internal, uncomfortable conversations and interactions, while depicting tension and mental confinement. Throughout my work, innocent metaphorical help illustrate these internal disruptions: A chair, hare, vintage tvs, and a variety of secondary objects are displayed throughout the exhibition. Both with drawing and printmaking I am able to be subtle with how I depict my concepts through the use of layers.
Pink is a selective color used throughout all of my work emphasizing being uncomfortable, nervous and tense; therefore, a pink painted strip runs throughout the exhibition unifying the 10 pieces displayed, while also inviting the viewer into the space.
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License.
Kesty, Hanna, "admitting" (2019). B.F.A. Practicum Exhibition (ART 498). 40.