Files
Download Thumbnail Sheet (206 KB)
Download Burntnorton1.jpg (5.8 MB)
Download dancethebluesscropped.JPG (481 KB)
Download fleetwoodmactrailsign5.jpg (16.4 MB)
Download floatinginspace.jpg (571 KB)
Download gallerymockupnortonseries.jpg (1.3 MB)
Download Installation1.jpg (2.4 MB)
Download minitreebook.JPG (274 KB)
Download minitreebookinside.JPG (346 KB)
Download rebornnortontransparenciesrain.jpg (8.8 MB)
Download Ruinscanvasinpinecropped.jpg (4.7 MB)
Download theblueofdistance.JPG (1.5 MB)
Download trailmapdessertdwellers.jpg (774 KB)
Download treebook.jpg (2.7 MB)
Download treebookinside.JPG (422 KB)
Download treebookwithcontourbackdrop.jpg (3.6 MB)
Download typebooktime2 2.jpg (771 KB)
Download waterisfull.jpg (328 KB)
Download waterisfullprintedit.jpg (596 KB)
Download wherethedogsofsociety.jpg (2.0 MB)
Download youmustsing.jpg (127 KB)
Academic Level at Time of Creation
Senior
Date of Creation
Spring 4-24-2020
Artist Statement
Seduction is not about the culmination or gratification of desire; it is about the thrill of the desire itself. I am the architect of my own wonderland, creating ‘Terra Incognita’— unknown or unexplored territory— through my large scale compositions. I compose my acoustic map with expressive mark making to enhance the experience of movement, space, and perception through the abstract structure. Interlocked with the expressive marks, I pull from music theory to create controlled nonsense, developing an overwhelming geometric pattern that translates sound through movement of time. Where there is order there is language— if you explore, you get rewarded with new findings, just as you are reading a map to depict a code, or reading a clock, counterclockwise.
Visualizing this experience of sound in the monochromatic composition, is shown through altering shapes to create abstracted human form within industrial structures to put the viewer in a metaphysical sense of place and rhythm. I am developing a map that seduces you into a garden of euphoria—the essence of Mushin. Communicating movement of vibrations through the act of repetition of design rules, type as form, and musical notation to represent the chaos in our organic environment versus industry. I manipulate the gestural lines to disconnect us with the familiar, taking us into a visual vocabulary of architecture. Using a process of layering reductively and additively is how I deconstruct the perception of my large scale composition with multi media—screen print, wood cut, drawing, painting, bookbinding, and sculptural installation.
Advisor/Mentor
Jim Bryant, Nicole Hand, Todd Herzberg, Mike Martin
Description
Mixed media
Recommended Citation
Walton, Savannah Jane, "Terra Incognita" (2020). B.F.A. Practicum Exhibition (ART 498). 63.
https://digitalcommons.murraystate.edu/art498/63