Is sexism taking on new forms in movies? An ambivalent sexism perspective
Project Abstract
Keywords: sexism, ambivalent sexism, gender roles, pop culture, film
Purpose
Traditional ideas of sexism include overtly hostile views or treatment of women, such as direct and antagonistic attitudes toward women, demeaning comments about a woman’s clothing or name-calling. However, the theory of ambivalent sexism describes a mixture of hostile sexism with benevolent sexism (Glick & Fisk, 1996). Benevolent sexism is subtle and reinforces female gender roles that include the need for protection. It results from stereotyping women as sensitive, subordinate, and in need of masculine dominance which ultimately restricts women’s roles, such as using unwanted pet names or encouraging women to take on a caregiving role, and punishing women for taking on non-gender specific roles. Culture adherence to gender roles is often reflected in the media. Movies, in particular, can be useful in analyzing social conditions at the time of production, and to see changes in how sexism may present itself through the decades (Nicholson, 1997).
Procedure
An archival observational study used trained raters to observe potential ambivalent sexism in popular movies by keeping a count of instances of hostile and benevolent sexism that occurred both in and out of the workplace, according to a prepared rubric. The top 10 producing movies across 7 decades were watched by two raters each. Preliminary analysis of 34 movies across various genres (e.g., action, romance, family) were performed to determine frequencies of ambivalent sexism, and whether those instances differ by genre or time. More data is still being entered for final analysis.
Results
Preliminary analysis indicates that benevolent sexism (M=10.82, SD=9.57; range 0-37) is more prevalent than hostile sexism (M=5.67, SD=7.38; range 0-35), popular film,t(32)=3.40, p=0.002. Additionally, a one-way ANOVA showed differences between genres including action (M=18.8, SD=13.19), drama (M=15.71,SD=11.79), family/comedy (M=31.14, SD=15.95), and sci-fi/fantasy (M=9.00,SD=4.97) on instances of benevolent sexism, F(3,29)=2.97, MSE=167.96, p=0.04. Posthoc comparisons using the Tukey HSD test indicate that these differences occur most between family/comedy movies and sci-fi/fantasy movies. Importantly, there was no difference in number of sexist acts across time (ps > .05)
Conclusions and Implications
Acts aligning with benevolent sexism are more prevalent in movies than hostile sexism on average across decades and genres, though some genres have higher instances of benevolent sexism than others. Movies falling under the sci-fi or fantasy genres have significantly fewer counts of benevolent sexism than family or comedy films, and no genre proved to have great differences in instances of hostile sexism. Implications will be discussed.
Conference
Annual Meeting of the Midwestern Psychological Association
April 23-25, 2020
Psi Chi
http://midwesternpsych.org
Funding Type
Travel Grant
Academic College
College of Humanities and Fine Arts
Area/Major/Minor
Psychology/Sociology
Degree
Bachelor of Science
Classification
Junior
Name
Dr. Jana Hackathorn
Academic College
College of Humanities and Fine Arts
Recommended Citation
Brewington, Morgan, "Is sexism taking on new forms in movies? An ambivalent sexism perspective" (2019). ORCA Travel & Research Grants. 68.
https://digitalcommons.murraystate.edu/orcagrants/68